Randolph ‘Ranny’ Williams
- tcollins66
- Mar 26
- 4 min read
Updated: Apr 14
A Cultural Icon in Jamaican Broadcasting and Performing Arts
Randolph Samuel Williams, affectionately known as 'Maas Ran,' or Ranny, was a luminary in the Jamaican performing arts landscape and a transformative figure in broadcasting. Born on October 26, 1912, in Colon, Panama, to Jamaican parents, he moved to Jamaica at six years old. His educational journey took him to the Tutorial College, where he was inspired by educator Aston Wesley Powell, laying a foundation that would propel him into the world of theatre and performance.
Ranny’s love for the arts became evident early on, as he began writing plays while still a student at the Kingston Technical High School in Kingston. With works like "Queen of Sheba" and "Jamaica Night," he made a name for himself, yet the path to a stable acting career was fraught with challenges. In a time when performing arts could barely secure livelihoods, Ranny balanced various jobs—such as estate accountant and social worker—while nurturing his passion for the theatre.
As he transitioned from playwright to performer, Ranny gained prominence as a stand-up comedian, gaining recognition for his innovative approach to comedy and storytelling. He was an early pioneer in creating original content for radio. One of his most memorable shows, 'Life With The Morgan Henrys,' became a fixture on RJR, showcasing Ranny's talent for weaving entertaining narratives that resonated with the audience. For four years, he captivated listeners with humour and insightful storytelling.
However, it was his work at the Jamaica Broadcasting Corporation (JBC) that solidified his legacy as a vital voice in Jamaican culture. At JBC, Ranny Williams played a crucial role in shaping local programming that celebrated Jamaican dialect and folklore. For seven years, he scripted and narrated the series As Time Goes By and You Did Know Seh? These programs not only entertained but also educated the public, illuminating the rich tapestry of Jamaican culture and traditions.
With the advent of television, Mr. Williams embraced this 'new' medium and became a beloved personality alongside the legendary Louise Bennett, who humorously threatened him with her 'flat board' and 'coo-coo-macca stick' in their comedic skits.
Ranny Williams was not just an entertainer; he was a multifaceted talent and a writer. He contributed articles to the Gleaner, vividly recreating the sights and sounds of the Jamaican countryside while highlighting the customs and cuisine of those living outside the capital city. His artistic journey was profoundly influenced by early masters like Marcus Mosiah Garvey, Ernest Cupidon, and Geraldo Lyon, who shaped the cultural landscape of Jamaica.
Activities arranged by Marcus Garvey at Edelweiss Park reportedly left an indelible impression on Williams, inspiring him and others of his generation to shape the Arts in Jamaica. Alongside figures like Archie Lindo and Vere Johns, Williams played a crucial role in cultivating a rich cultural heritage. Through his contributions, Ranny Williams not only entertained but also enriched the national narrative, becoming a true cultural icon in Jamaica’s artistic evolution.
Ranny Williams’ impact extended well beyond his performances. He meticulously studied indigenous forms of Jamaican folklore, paving the way for a greater appreciation of cultural heritage during a time when such traditions were at risk of being overlooked. His portrayal of the trickster character 'Brer Anansi' infused life into folk tales and became emblematic of the Jamaican theatrical scene, especially in the Christmas pantomimes, where his unique voice and movement captured the hearts of audiences.
Throughout his life, he received numerous accolades for his contributions to the arts, including the Silver Musgrave Medal in 1966, awarded for his dedication to promoting Jamaican dialect and folklore. In 1968, he was recognized in the Queen’s Honours List, underscoring his national significance. Beyond accolades, he established the 'Ranny Williams Youth Club,' fostering the next generation's interest in stagecraft and empowering young people through creative expression.
Despite battling diabetes and facing the challenges of amputation later in life, Ranny maintained an indomitable spirit. He continued to perform and bring joy even when his physical capabilities were affected, humorously reminding audiences to call him 'One-y' instead of Ranny after losing a leg. His resilience and love for the craft shone bright, inspiring others to persevere through hardship. Ranny Williams passed away on August 11, 1980, during a performance in Toronto, leaving behind a rich legacy of artistic expression and cultural pride. His last words, "Let the show go on—it must go on," serve as a testament to the passion with which he lived his life and the dedication he had to his artistry and audiences.
Today, Randolph Ranny Williams is remembered not just as an entertaining comedian and actor but as a foundational figure in Jamaican broadcasting. His work at the Jamaica Broadcasting Corporation helped to shape a national identity, making him a lasting icon in the realm of Jamaican theatre and media. His contributions continue to inspire generations of artists and resonate within the fabric of Jamaican culture.
