Errol 'E.T.' Thompson
- PBCJ AV Library
- Mar 13
- 3 min read
Updated: Apr 10
A Whimsical Innovator in Jamaican Radio
In the vibrant tapestry of Jamaican broadcasting, few figures stand as tall as Errol Thompson. Known affectionately as 'E. T.', his return to Jamaica in the early 1970s, after studying at Howard University in the United States, marked the beginning of a transformative era in Jamaican radio, particularly at the Jamaica Broadcasting Corporation (JBC).
Thompson's weekday evening show was more than just a block of programming; it was a cultural event. He crafted a unique listening experience, blending roots-reggae with the soul and funk sounds that had become part of his musical identity during his time in the U.S. His ability to seamlessly weave these genres together captivated listeners and garnered a loyal following.
What truly distinguished E. T. in the bustling world of radio was not only his eclectic taste in music but also his inventive approach to storytelling. Known for his offbeat style, he famously brought a squeaky toy into the studio, transforming it into a comical sidekick with whom he held conversations that could swing from the serious to the absurd.
This whimsical element allowed him to address important topics while keeping the tone light and entertaining. 'Squeaky' quickly became a beloved figure in his broadcasts, showcasing Thompson's flair for creativity and his exceptional ability to resonate with listeners. As a master of Jamaican vernacular, E. T. enriched his programs with a linguistic vibrancy that deeply connected with his audience. He had a gift for coinage, introducing catchy phrases like 'Jah-Mek-Ya' as a playful nod to Jamaica itself. His colourful terms, such as 'preps' for an appealing young woman and 'prips' for one that may not meet the approval of one's mom, infused his show with a distinctly local flavour. This linguistic creativity made his broadcasts entertaining and relatable, helping to forge a strong bond with listeners across the island.
Thompson was not just a radio host; he was a music aficionado with an insatiable passion for all genres — jazz, soul, R&B, rock and roll, gospel, and, of course, reggae. His knowledge was encyclopedic, and he could share fascinating insights about any artist at the drop of a dime. His personal connections with legendary musicians, including Bob Marley, Sangie Davis, Prince Lincoln of the Royal Rasses, and Marcia Griffiths — with whom he fathered two children — enriched his broadcasts and brought authenticity to his musical exploration.
Sadly, the vibrant life of Errol Thompson was cut short in 1983 when he was murdered, a tragedy that left the Jamaican music and broadcasting community in shock. To this day, no one has been charged with his murder, and it remains a haunting chapter in the history of Jamaican media. E. T.'s impact on Jamaican broadcasting is immeasurable. He broke barriers and engaged audiences in a way that few had done before. His legacy lives on in the hearts of many who remember his distinctive voice and the joy he brought to the airwaves. The creativity and authenticity he infused into his shows paved the way for future generations of broadcasters, reminding us of the powerful role media plays in shaping culture and community.
As we reflect on the life of Errol Thompson, we celebrate not just a broadcaster, but a cultural icon whose contributions to Jamaica and the world of radio continue to resonate. E. T.’s spirit remains a guiding light, inspiring all those who seek to use their voice for connection, creativity, and change.
